Boutiq is the portfolio site of myself - Both Bou, a practicing graphic designer specializing in brand identity and typography.
I have worked with both international and locals clients in developing identity systems that stand the test of time as well as give a competitive advantage in their respective market.. I believe that complex problems can often be solved with simple solutions, but simple doesn’t always mean easy.
If you would like to get in touch about a potential project, or just want to chat about design, don’t be shy and get in touch with me firstname.lastname@example.org
Mr. Lee was a central player in the creation of those characters and more, all properties of Marvel Comics. Indeed, he was for many the embodiment of Marvel, if not comic books in general, overseeing the company’s emergence as an international media behemoth. A writer, editor, publisher, Hollywood executive and tireless promoter (of Marvel and of himself), he played a critical role in what comics fans call the medium’s silver age.
Many believe that Marvel, under his leadership and infused with his colorful voice, crystallized that era, one of exploding sales, increasingly complex characters and stories, and growing cultural legitimacy for the medium. (Marvel’s chief competitor at the time, National Periodical Publications, now known as DC — the home of Superman and Batman, among other characters — augured this period, with its 1956 update of its superhero the Flash, but did not define it.)
Under Mr. Lee, Marvel transformed the comic book world by imbuing its characters with the self-doubts and neuroses of average people, as well an awareness of trends and social causes and, often, a sense of humor.
In humanizing his heroes, giving them character flaws and insecurities that belied their supernatural strengths, Mr. Lee tried “to make them real flesh-and-blood characters with personality,” he told The Washington Post in 1992.
Energetic, gregarious, optimistic and alternately grandiose and self-effacing, Mr. Lee was an effective salesman, employing a Barnumesque syntax in print (“Face front, true believer!” “Make mine Marvel!”) to market Marvel’s products to a rabid following.
He charmed readers with jokey, conspiratorial comments and asterisked asides in narrative panels, often referring them to previous issues. In 2003 he told The Los Angeles Times, “I wanted the reader to feel we were all friends, that we were sharing some private fun that the outside world wasn’t aware of.”
Though Mr. Lee was often criticized for his role in denying rights and royalties to his artistic collaborators , his involvement in the conception of many of Marvel’s best-known characters is indisputable.
He was born Stanley Martin Lieber on Dec. 28, 1922, in Manhattan, the older of two sons born to Jack Lieber, an occasionally employed dress cutter, and Celia (Solomon) Lieber, both immigrants from Romania. The family moved to the Bronx.
Stanley began reading Shakespeare at 10 while also devouring pulp magazines, the novels of Arthur Conan Doyle, Edgar Rice Burroughs and Mark Twain, and the swashbuckler movies of Errol Flynn.
He graduated at 17 from DeWitt Clinton High School in the Bronx and aspired to be a writer of serious literature. He was set on the path to becoming a different kind of writer when, after a few false starts at other jobs, he was hired at Timely Publications, a company owned by Martin Goodman, a relative who had made his name in pulp magazines and was entering the comics field.
Your understanding of design is wrong, design isn’t about know the programs/tools, design is all about solving a problem with a tasteful and quality solution.
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